我们的失败

7.5

类型：战争地区：法国年份：2017 语言：中字

主演：/Swann Agha/Natasha Andraos/Gha?s Bertout-Ourabah/Jackson Ellis/Julie Escobedo/Rosalie Magnan/Alaa Mansour/Marine Rouie/Floricia Yamondo/Martin Zellner/

导演：森本亮治,Varun Sharma,琳赛·普尔斯菲

上次更新：2025-01-15 02:51:22

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剧情介绍

《我们的失败》影片介绍:2018年5月和6月，Jean Gabriel P_Riot与位于Ivry Sur Seine的一所高中的10名电影班学生合作，开展了一项将电影与政治结合起来的项目。学生们在摄像机前和摄像机后工作，重新布置罢工、抵抗和劳资纠纷的场景，这些电影可以追溯到20世纪60年代末到70年代末，包括让-卢克-戈达尔和阿兰-坦纳的电影。nos d_faites汇集了调查结果，并增加了采访，在采访中，导演询问学生他们刚刚表演的场景，关于“阶级”、“工会”和“政治参与”等概念，以及更广泛的社会背景。这是一个简单，但尖锐的设置，让观众一瞥年轻一代如何看待政治和过去的政治电影。这部影片还记录了导演试图激怒学生的企图。在导演和学生似乎处于平等地位的遭遇中，基于从未见过的导演更多类似于老师的提问，以及此时此刻对革命的思考：起义的表现反映了同样的情况。这会导致一个真实的发生吗？In May and June 2018, Jean-Gabriel Périot collaborated with ten students in a film class at a high school in Ivry-sur-Seine on a project that unites cinema with politics. The students worked both in front of and behind the camera, restaging scenes of strikes, resistance, and labour disputes from films dating from the late 1960s to the late 1970s, including ones by Jean-Luc Godard and Alain Tanner. Nos défaites assembles the results, and adds interviews in which the director queries the students about the scenes they’ve just acted in, about such concepts as “class,” “labour union,” and “political engagement,” about wider social contexts. It’s a simple, yet trenchant setup, affording viewers a glimpse of how a younger generation sees politics and the political cinema of the past. The film also documents the director’s attempts to stir up the students. The conversations vary between encounters in which director and students seem on an equal footing, based on more teacher-like questioning by the never-visible director, and contemplations of revolution in the here and now: the performance of an uprising follows reflection upon the same. Could this lead to one happening for real?回到1968年的电影时代，继续对重放从过去跳出来的电影节选的年轻人进行今天的采访，我们的失败描绘了我们当前与政治的关系。我们的失败，还是我们有足够的力量来面对今天的混乱？By going back into the cinema of the 1968 era and going forward with present-day interviews of young people who replay excerpts of film s jumping out from the past, Our Defeats draw the portrait of our current relations with politics. Our Defeats, or do we keep enough forces to confront ourselves with the chaos of today?... 《我们的失败》影片介绍:2018年5月和6月，Jean Gabriel P_Riot与位于Ivry Sur Seine的一所高中的10名电影班学生合作，开展了一项将电影与政治结合起来的项目。学生们在摄像机前和摄像机后工作，重新布置罢工、抵抗和劳资纠纷的场景，这些电影可以追溯到20世纪60年代末到70年代末，包括让-卢克-戈达尔和阿兰-坦纳的电影。nos d_faites汇集了调查结果，并增加了采访，在采访中，导演询问学生他们刚刚表演的场景，关于“阶级”、“工会”和“政治参与”等概念，以及更广泛的社会背景。这是一个简单，但尖锐的设置，让观众一瞥年轻一代如何看待政治和过去的政治电影。这部影片还记录了导演试图激怒学生的企图。在导演和学生似乎处于平等地位的遭遇中，基于从未见过的导演更多类似于老师的提问，以及此时此刻对革命的思考：起义的表现反映了同样的情况。这会导致一个真实的发生吗？In May and June 2018, Jean-Gabriel Périot collaborated with ten students in a film class at a high school in Ivry-sur-Seine on a project that unites cinema with politics. The students worked both in front of and behind the camera, restaging scenes of strikes, resistance, and labour disputes from films dating from the late 1960s to the late 1970s, including ones by Jean-Luc Godard and Alain Tanner. Nos défaites assembles the results, and adds interviews in which the director queries the students about the scenes they’ve just acted in, about such concepts as “class,” “labour union,” and “political engagement,” about wider social contexts. It’s a simple, yet trenchant setup, affording viewers a glimpse of how a younger generation sees politics and the political cinema of the past. The film also documents the director’s attempts to stir up the students. The conversations vary between encounters in which director and students seem on an equal footing, based on more teacher-like questioning by the never-visible director, and contemplations of revolution in the here and now: the performance of an uprising follows reflection upon the same. Could this lead to one happening for real?回到1968年的电影时代，继续对重放从过去跳出来的电影节选的年轻人进行今天的采访，我们的失败描绘了我们当前与政治的关系。我们的失败，还是我们有足够的力量来面对今天的混乱？By going back into the cinema of the 1968 era and going forward with present-day interviews of young people who replay excerpts of film s jumping out from the past, Our Defeats draw the portrait of our current relations with politics. Our Defeats, or do we keep enough forces to confront ourselves with the chaos of today?... 详情

影片评论

竹露清响:刚刚

有部韩国电影，一个男的开奔驰轿车，旁边还座个女的，回到家以后，他们就爱爱了，那女的好像是什么社长
陆十三:2分钟前

那么，陆勇是罪犯吗?他亲手让成千上万的家庭团聚。“认定陆勇犯罪违背了人民的正义价值观，”判决书说。至少在此刻，冷漠、严肃的法，被陆勇感动，显得特别善良。
敉书:6分钟前

情节的几处穿插匠心独运，对雾津的几次俯瞰/大图像描绘意味深长。
赵款款:1分钟前

所以对于此次的音乐电影，小编也是十分期待它的到来，不出意外的话，派蒙拉会再次创造一个奇迹。
青石长路:7分钟前

第二段写一对夫妇徐锦江与江希文意外开车撞死人不顾而去，被顽皮鬼作弄而苦不堪言。
执笔三生:4小时前

海因莱因于1948年和第二任妻子莱斯琳离婚，1948年娶了第三任妻子佛基尼亚（吉妮）·海因莱因（原名VirginGerstenfeld）。
寒烽:2小时前

年轻的我们总是不会轻易地放下，哪怕明白自己是错的，多多用自己的行动去实践这个故事，哪怕他明白结局是悲伤的。
石安百:3小时前

开头就写出实验基地中女人是f附身的这一个现象，那么就会表明这一部电影注定与实验基地和死而复生这种惊险的情节有关，那么这一种类型的电影往往就是趋于科技化和科技动态感，还有玄幻色彩。
迷路的田鼠:5小时前

29号查德维克·博斯曼的突然离世让许多影迷沉浸在悲伤中，NBA的众多球星也纷纷发文悼念，哈特直言:“2020年烂透了”。
三生路:1天前

不过，若是针对这部电影探讨的剧情错漏或谬误的地方，我想这是根本经不住观众们的火眼金睛的。